Another load of morons is setting sail to spread Jew-Hatred. The low IQ cargo comprises also the unbearable Greta Thunaberg. May she find the love, her parents obviously never gave her, from one or a gang of HAMAS thugs over there, and may she stay there.
This was the first
Flotilla over 10 years ago and Caroline Glick's LATMA produced this high quality spoof about it. It has aged well, as all quality does.
In a powerful new documentary, Josh Frydenberg investigates the devastating impact of antisemitism on Australia.
For the former Treasurer of Australia, this issue goes beyond politics. It is about the kind of country Australia should be.
Following the devastating attack on Israel by Hamas terrorists on October 7 last year, the documentary examines the rise in hostility towards Jewish people taking place around the world at levels not seen since the Holocaust.
From the steps of the Sydney Opera House to the heartland of Melbourne's Jewish community in Caulfield, the escalation of antisemitism has been widespread and violent.
The incitement has not only been seen through violent demonstrations but in the desecration of national monuments, interruption of major events, the boycott of Jewish owned businesses, doxing of Jewish artists and harassment of community members.
Through a reflective and, at times, emotional lens Josh speaks on the rising tide of antisemitism with prominent Australians, among them Prime Minister Anthony Albanese and Opposition Leader Peter Dutton, former prime ministers John Howard and Julia Gillard, Olympic champion and former senator Nova Peris, former governor-general Peter Cosgrove, award-winning Australian music artist Deborah Conway and survivors of the Holocaust.
Australians can watch extended interviews from this documentary with a SkyNews.com.au Streaming Subscription, at: https://www.skynews.com.au/stream/doc...
"'Dance Me to the End Of Love' ... it's curious how songs begin because the origin of the song, every song, has a kind of grain or seed that somebody hands you or the world hands you and that's why the process is so mysterious about writing a song.
But that came from just hearing or reading or knowing that in the death camps, beside the crematoria, in certain of the death camps, a string quartet was pressed into performance while this horror was going on, those were the people whose fate was this horror also. And they would be playing classical music while their fellow prisoners were being killed and burnt.
So, that music, "Dance me to your beauty with a burning violin," meaning the beauty there of being the consummation of life, the end of this existence and of the passionate element in that consummation.
But, it is the same language that we use for surrender to the beloved, so that the song — it's not important that anybody knows the genesis of it, because if the language comes from that passionate resource, it will be able to embrace all passionate activity." ~ Leonard Cohen
Featuring the artwork of Matthew Schwartz.
LYRICS:
Dance me to your beauty with a burning violin
Dance me through the panic 'til I'm gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
Dance me to the end of love
Oh let me see your beauty when the witnesses are gone
Let me feel you moving like they do in Babylon
Show me slowly what I only know the limits of
Dance me to the end of love
Dance me to the end of love
Dance me to the wedding now, dance me on and on
Dance me very tenderly and dance me very long
We're both of us beneath our love, we're both of us above
Dance me to the end of love
Dance me to the end of love
Dance me to the children who are asking to be born
Dance me through the curtains that our kisses have outworn
Raise a tent of shelter now, though every thread is torn
Dance me to the end of love
Dance me to your beauty with a burning violin
Dance me through the panic till I'm gathered safely in
Touch me with your naked hand or touch me with your glove
Dance me to the end of love
Dance me to the end of love
Dance me to the end of love
.
